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| Saviours |
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Dambé
- The Mali Project |
| DIRECTORS: Ross
Whitaker & Liam Nolan |
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DIRECTOR: Dearbhla
Glynn |
| 2007 (78mins) |
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2008 (93mins) |
Passionately
filmed for two years with no budget, Saviours is the moving
debut feature film by Ross Whitaker and Liam Nolan. The
film is an intimate, gripping documentary following three
young boxers from the same Dublin boxing club, St. Saviours
Olympic Boxing Academy. The club is a safe haven amongst
the dangerous flats of Dublin's north inner city. There,
under the guidance of the club's canny coaches, the three
boxers fight for a better life both inside and outside the
ring.
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This film is a musical journey to
the heart of Africa with acclaimed Irish musicians Liam
O’Maonlaí (The Hothouse Flowers) and Paddy
Keenan (The Bothy Band) as they travel thousands of miles
through Mali, West Africa. Along their journey they meet
and collaborate with musicians ranging from Grammy award
winners to nomadic herders, culminating in a unique performance
in the world’s most remote music festival –
‘Festival au Desert’.
Directed by: Dearbhla Glynn
Produced by: Vanessa Gildea
Music: Liam O’Maonlaí, Paddy Keenan, Afel Bocoum
& Alkibar, Toumani Diabaté, Tinariwen, Ali Farka
Touré.
Production company: Luachra Productions
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| DIRECTOR Cathal Black |
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DIRECTOR Ciarín Scott |
| 2008 (70 mins) |
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2008 (70 mins) |
An elegant elegiac film on Thomas Lynch, who’s family-run funeral parlour business provided Oscar winning writer Alan Ball with the key to writing the hit HBO series Six Feet Under. An undertaker with over 30 years experience the theme of death dominates Lynch's work, yet his writing lacks the morose and melancholy nature that one might assume inherent in such a topic. Instead, Lynch's writing is rich in passion, humour and an undeniable logic. For him it is only through dealing with death that we can truly get on with the business of living.
Produced by: James Mitchell/ Aisling Ahmed
Script: Philip Davison/ Cathal Black
Photography: Tim Fleming |
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A frank, funny and intensely moving portrait of 85-year-old Irish film auteur George Morrison, maker of Mise Éire and Saoirse?, the definitive cinematic histories of 20th Century Ireland.
In Waiting for the Light, Director Cıarín Scott uncovers his work, his life and loves in frank and intimate interviews. We see his triumphs and his long years of failure, his passion for film, his obsessive perfectionism, and his great personal charm and humour.
Director/Producer/Writer: Ciarín Scott
Photography: Stephen O’Reilly
Editor: Lawrence Fee |
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Jigs On Reels |
Fleá
Ceoil |
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O’Donoghue’s
Opera |
| DIRECTOR Louis Marcus |
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DIRECTOR Kevin Sheldon |
| Ireland l 1967 l English l 22 minutes
l Black and White |
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Ireland l 1965 l English l
37 minutes l Black and White |
Made
in the town of Kilrush in County Clare , Fleá Ceoil
captures the resurgence of interest in traditional Irish
music in the 1960s when Irish folk singers like Dolly McMahon,
who appears in the film, were seen as part of world-wide
boom in folk music.
Beautifully filmed by Bob Monks, Fleá Ceoil is remarkable
in its close attention to the small details that distinguish
this vibrant musical community. The film was directed by
Cork-born Louis Marcus, one of Ireland ’s most important
and prolific documentary directors. It won a Silver Bear
at the Berlin Film Festival and other prestigious awards
in Russia, Spain and Belgium. |
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O'Donoghue's
Opera' is Ireland’s first musical film. A mock opera
made in 1965 which ran into financial difficulties before
it was properly completed—but has since gathered cult
status. Extraordinarily, it remained unseen until veteran
filmmaker Tom Hayes brought the out-takes to Sé Merry
Doyle who oversaw its painstakingly restoration.
The hilarious film stars Ronnie Drew and his band of bohemian
merrymakers, The Dubliners. Based on the ballad 'The Night
That Larry Was Stretched', sung by a young Johnny Moynihan,
Drew finds himself caught in a hangman's noose as a reward
for his dubious career as ‘the best burglar in all
Ireland’. This tongue-in-cheek film has the flavour
of an Irish Spaghetti Western and captures the spirit of
Dublin camaraderie like no other work before or since: the
Guinness, the music, the wit and the grit, it’s all
there in abundance. |
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